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Broadcast Announcer

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AVG. SALARY

$48,520

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EDUCATION

Bachelor's degree

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JOB OUTLOOK

Decreasing

Real-Life Activities

Real-Life Math

The talking heads of music television aren't just there to look good. If their terms of employment require them to help out with production, they may have to use their heads for number crunching, as well.

"Knowing how to work with time is important," explains former VJ Laurie Brown, "like timing out a program and leaving room for commercials."

What you see when you watch a pre-taped program is a seamless patchwork of different shots, music or voice-overs. Often, production people will use a technique known as "back timing" to match a sequence with a soundtrack. This involves lining up the point in the video and the point in the music they want to play together, then working in reverse.

You're a VJ putting together a program on a new teen sensation. You have some footage of her at a charity tennis tournament and you think it might be funny if you play some melodramatic music in the background. Through back timing, you can show her hitting the ball on just the right note.

In slow motion, the clip of her running to and hitting the ball lasts 8 seconds. The piece of music that you've chosen runs 10 seconds, ending with the climactic drum clap with which you want her to hit the ball. Since the audio track runs longer than the video track, you know you'll start the audio first. In mathematical terms:

audio = a
video = v

a - v = s

How much earlier will you start the audio track?

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